.048 Moscrop Laneway House

Moscrop Laneway House image, Residential Architectural Project by Imu Chan Architecture. Home Exterior Cladding done in an ancient Japanese Wood Preservation  Technique "yakisugi".

East Vancouver, BC Canada
Laneway House
Completed 2020
Photo by: Martin Knowles

The Laneway House offers the autonomy of a detached residence, with a footprint no larger than a small sailboat. The owner has given the mandate to design a modern, compact dwelling facing the lane, with a  shape and proportion in keeping with the prevalent Vancouver Specials typology along the block. Space is conceived with utmost efficiency. It reflects the lifestyle of its inhabitant - a young software developer for the vineyard industry, an avid traveler to Japan, a lover of authenticity and simplicity.     

The proposed building form is inspired by a simple hut but skewed. The ridge line of the gable roof is twisted so that the lane-facing visage is asymmetrical. The original intent was pragmatic: to avoid costly fire protection, the southeast corner of the house was dropped below minimum clearance from the overhead electrical transformer. Together with the dark siding framing a sole corner window, the architecture lends itself a reminiscent yet unfamiliar expression, like a rustic outpost in a faraway land.     

The exterior cladding is finished with an ancient wood  preservation technique called “yakisugi” [焼杉] and the windows are lined with pine boards. The ephemeral quality of the charred surfaces, and the painstaking process of preparing them - with its final form materialized through the consummation of wood and fire - hold special meanings to the owner and the architect because of their shared Asian roots, giving the project a nostalgic sensibility.

“To all these signs of age they give the name, saba, which literally means “rust”. Saba, then, is a natural rustiness, the charm of olden days, the stamp of time… In a sense the Japanese could be said to be trying to master time aesthetically.”

- Audrey Tarkovshi, Sculpting in Time (1985).

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